Midas xl250 manual

If you need a stereo buss, switch the stereo button between two groups and they are now working in stereo with all inputs routed via level and pan controls. If you want mono busses switch the stereo button off and the two groups are independent and fed from separate level controls on the input channels.

The console also has the Classic transparent " Midas Sound". Switch changes are silent, the noise floor is way down and the headroom is high due to the consistent internal gain structure. The evolution of Midas consoles throughout the year history of this classic marque has always paralleled, and often led, increasingly sophisticated audio innovations for the world-wide entertainment technology industry.

Raising the standards of sonic quality through continual research and development has always been - and still remains - our overall aim. Equally important to us is the design and implementation of many new areas of control functionality and user-friendly desk operation to anticipate and accommodate the rapidly changing and expanding needs of audio professionals who specify Midas consoles for their major tours, festivals, international events, broadcast projects and prestigious fixed installations.

The Midas design pedigree has, since our birth, been founded upon a track record of achieving a unique symbiosis with working sound engineers around the planet - engineers who respect and endorse our proven technology in the light of their responsibilities to their internationally-based clients who are themselves the leading lights of our industry.

XL - XL in great condition. Sell Contact Us. Can't Find It? We can Midas Solaris. This switch is under automation control. The LINE switch connects the line input to the signal path and disconnects the mic amplifier. When the filter is set to 40K there is no loss at 20K. When the filter is set to 10Hz there is no loss at 20Hz. This only operates when the BELL switch is activated.

The output is derived from the input channel post fader signal. The treble FREQ control gives continuous adjustment of the frequency range that the treble equaliser acts on from 1K to 20K. The hi mid FREQ control gives continuous adjustment of the frequency range that the hi mid equaliser acts on from Hz to 8K.

The lo mid FREQ control gives continuous adjustment of the frequency range that the lo mid equaliser acts on from Hz to 2K. The bass FREQ control gives continuous adjustment of the frequency range that the bass equaliser acts on from 20Hz to Hz. Welcome to ManualMachine. We have sent a verification link to to complete your registration.

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Enter a new password. Midas Consoles. DY11 7HJ. Direct Outputs. Line inputs. Input metering. Audio busses. VCA and mute busses. Group aux inputs. Output meters. XL4 Specification Overview and Statistics. The XL4 has a total XLR input count of as follows:- 48 channel line inputs 48channel mic inputs 24aux bus inject inputs 16 audio group bus inject inputs 16aux line returns inputs 8matrix bus inject inputs 3solo bus inject inputs 2master bus inject inputs 1comms mic input headset 1comms input and output 1talk mic input 1talk bus inject input 1midi input 5.

The XL4 has a total XLR output count of as follows:- 48input channel direct outputs 24aux outputs 16audio group outputs 8matrix outputs 4record outputs 3master outputs 3solo outputs 2local outputs 2midi outputs 1talk output. Thank you for responses guys, I am partial to the Midas. Anybody else got anything to add? I can't speak for the XL, but I mixed many live shows on a Series 5 back in the day and they were good sounding solid rigs.

The noise floor was SO much lower. Thank you felllas. Top Mentioned Manufacturers. Facebook Twitter Reddit LinkedIn. Subscribe to our Newsletter. By using this site, you agree to our use of cookies.